When is a woke horror movie not quite as woke as we expect?
It starts with self-awareness.
“Teenage Sex and Death at Camp Miasma” wears its progressive heart on its bloody sleeve. Writer/director Jane Schoenbrun (“I Saw the TV Glow”) explores LGBTQ+ themes from start to finish.
They’re integral to the story, but Schoenbrun understands both modern Hollywood mores and slasher film tropes.
What emerges is playful and fresh, but it’s still lacking a core element essential to the genre in play.
Scares.
Kris (Hannah Einbinder, “Hacks”) gets tapped to direct a remake of “Camp Miasma,” a 1980s slasher film that fueled a long-running franchise. The “Friday the 13th” parallels are impossible to miss and the extensive attempts to display its pop culture legacy impress.
She travels to a secluded town to interview Billy (Gillian Anderson) before production can begin. The actress starred in the first film in the franchise, skipped the sequels and became a hermit of sorts.
Kris hopes to pick her brain while fleshing out her take on the material. The studio craves an “elevated” horror update, code for addressing the saga’s “problematic” elements.
Of course.
For Kris, it’s a chance to meet a reclusive star and dig deeper into “Camp Miasma” lore. And boy, is that a rich fount of material, and that’s before Billy opens her creative soul to Kris.
What if the film’s signature stalker, Little Death (Jack Haven), wasn’t just fiction? And could Billy become not just a nostalgic cameo in the new film but its leading lady?
There’s plenty to unpack throughout “Camp Miasma,” from its stylish visuals to the way Schoenbrun insists even a cheesy slasher film has cultural heft. It’s the latter that stands out the most, apart from the creep factor powering our introduction to Billy’s lair.
It’s easy to dismiss a blood-and-guts slasher series as popcorn fluff, but some find meaning in Final Girls and signature kills. Consider the legion of horror fans who stuff conventions, flood Facebook and worship at the altar of their favorite Scream Queens.
“Camp Miasma” has your back.
Other elements of the movie aren’t as stable. The Kris-Billy connection doesn’t quite gel, despite strong performances from both actresses.
Einbinder is terrific in a role that could have been one-note in lesser hands.
Every franchise has its skeletons.
CAMP MIASMA is now streaming exclusively on MUBI. https://t.co/yS6GoqsZt3
— Teenage Sex and Death at Camp Miasma (@CampMiasmaFilm) October 15, 2026
And while the film celebrates an iconic film franchise, scares are in short supply. Little Death has none of the macabre menace of a Jason, Freddy or Art the Clown.
The cartoonish kills don’t help.
Sexuality runs throughout the film, from Kris’ queer love life to Little Death’s origin story. That horror is a conduit for carnal appetites is convincingly sketched out, but it doesn’t give the film’s third act the narrative push we need.
Instead, a calculated chaos descends on the story, failing to build on the intriguing story threads.
“Teenage Sex and Death at Camp Miasma” teases a profound take on horror, sex and the ties that bind the two. What emerges is a mash note to ’80s horror and the freeing nature of its sexual impulses.
HiT or Miss: 3 out of 5 stars
Genre: Horror/Meta satire
Runtime: 1 hour, 52 minutes
Where to Watch: MUBI
Family Friendly? R (Sexual situations, adult language, gore, blood and mature themes)
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