67711 stories
·
3 followers

Why ‘Eternity’ Feels So … Familiar

1 Share

David Freyne’s “Eternity” is a schmaltzy fantasy/love story, in a year that already subjected filmgoers to “A Big Bold Beautiful Journey.

Thirty-five years later, “Ghost” (1990) is still the king of these types of movies.

YouTube Video

When we meet Larry (Barry Primus) and Joan (Betty Buckley), they are elderly and driving to a gender reveal party. When each dies at a separate time, Larry and Joan find themselves in an afterlife that resembles a Holiday Inn.

Case workers choose which version of Heaven one wants to spend the rest of eternity.

When Larry and Joan are rejoined in the afterlife, they look like their younger selves and are now played by Miles Teller and Elizabeth Olsen. The couple appears destined for eternal bliss. Until Joan’s deceased first husband, played by Callum Turner, reappears and expresses that he never stopped loving her.

Nothing about “Eternity” is offensively bad. As a depiction of what happens when we die, it can be taken as seriously as the science in “Star Wars.”

The most disagreeable thing about it is how much it rips off Albert Brooks’ “Defending Your Life” (1991). The premise, nature of the jokes and themes explored are so similar that Brooks might want to seriously sue the screenwriters for plagiarism.

Teller is playing Larry as an old man, which mean the actor dials down his natural comic exuberance. Weird but true – Teller’s performance here isn’t unlike his take on Mr. Fantastic in the unloved “Fantastic Four” (2015).

YouTube Video

Prior to his breakout roles in “Whiplash” (2014) and “Top Gun: Maverick” (2022), Teller appeared in dumb but entertaining teen comedies (like “21 & Over” and “Project X”) where he stood out as a quick-witted comic scene stealer.

I wish that kind of energy were on display here.

Olsen is giving a dramatic performance and rarely leans into the screenplay’s comic beats. Teller and Olsen are such powerhouse actors, I have no idea what drew them to such a lightweight project like this.

Turner is playing a “perfect” man, but he’s utterly boring, akin to watching James Marsden in “The Notebook” (2004). To think what Ryan Gosling could have done with this role.

Da’Vine Joy Randolph plays Larry’s case worker and has some of the best moments, though her role isn’t much; it’s especially disheartening when you compare what Rip Torn did with basically the same role in “Defending Your Life.”

Ditto, the rules and gags about the afterlife were better and funnier in that film.

 

 
 
 
 
 
View this post on Instagram
 
 
 
 
 
 
 
 
 
 
 

 

A post shared by Eternity Movie (@eternitymov)

Most of the story is set in this state of limbo, which resembles a hotel complex/ bus depot, making for a mostly visually uninteresting film.

A bit involving Dean Martin is funny, and the promos for each of the advertised afterlife worlds (like Mountain World and Library World) are amusing sight gags. Otherwise, the premise would be best utilized for a “Saturday Night Live” skit and seems too drawn out for a feature film.

“Eternity” may play as a fantasy for some, in the same way “The Notebook” and “Tequila Sunrise” (1988), to name a few, offer the who-will-she-pick hook of the love story. It’s also a film for an older audience, since the central characters are geriatrics on the inside and the film is basically about deciding who you want to retire with.

A much better fantasy about deciding who you want to grow older with is Ron Howard’s “Cocoon” (1985).

I liked the final scenes, though they borrow a great deal from “Eternal Sunshine from the Spotless Mind” (2004). However, without spoiling anything, the conclusion is basically telling us, “If you can’t have the one you love, then love the one you’re with.”

In case you’ve lost count, I’m accusing “Eternity” of ripping off Albert Brooks, Charlie Kaufman and Crosby, Stills & Nash.

One and a Half Stars (out of four)

The post Why ‘Eternity’ Feels So … Familiar appeared first on Hollywood in Toto.

Read the whole story
gangsterofboats
3 minutes ago
reply
Share this story
Delete

Antitrust and Tariffs Are on a Collision Course

1 Share

Until the Supreme Court decides whether Trump’s tariffs are constitutional, American businesses are stuck in limbo—and the best way out invites antitrust scrutiny.

During its second-quarter earnings call in August, Home Depot executives discussed the impact of tariffs on its business. The retailer sources over 50% of its products domestically, but despite limited imports, it conceded that it needed to raise prices as a result of the tariffs. During this period of uncertainty, Home Depot and its subsidiary entered into an agreement to acquire building materials distributor Gypsum Management & Supply. This move consolidates their supply chain for building materials, including drywall, ceilings, and steel framing. Likewise, this summer, Walmart opened its first beef facility to create “more resiliency in [its] supply chain.”

Barring Supreme Court intervention—which seems likely, though not certain after this month’s oral arguments—the tariffs are here to stay, making vertical mergers an attractive option for businesses seeking to tariff-proof their operations. If SCOTUS finds that Trump’s tariffs are legal, these mergers could be the first of many among American businesses.

In that case, antitrust regulators pose a real risk to the economy. Antitrust regulators today are more reticent than ever before to bless acquisitions involving vertical mergers without rigorous scrutiny.

Facing tariffs that substantially raise the cost of imported goods, companies have two choices: pass the added costs downstream to consumers; or, as President Trump would prefer, modify their supply chain so that critical inputs are obtained domestically rather than from foreign firms. Supply chain modifications may still raise prices for consumers unless there is some innovation or change in efficiencies that enables companies to choose American firms to work with and also to pay less for the inputs that they once sourced from abroad.

As Home Depot and Walmart show, this innovation is often vertical integration.

Regulators once considered vertical mergers intrinsically unproblematic. In The Antitrust Paradox, Robert Bork argued that vertical mergers produce greater efficiencies between two firms, as there is no longer a cost associated with transacting after the merger has occurred. This idea is reflected in the 1984 iteration of the Justice Department’s Merger Guidelines and the short-lived 2020 Vertical Merger Guidelines, which the Biden administration quickly rescinded.

However, in recent years, academics have cautioned against this traditional view, claiming that the reality is more complex, as these mergers produce a mix of pro- and anti-competitive effects that warrant more rigorous regulatory review. In 2023, the Federal Trade Commission and Justice Department modified the Merger Guidelines to reflect this skepticism. Three days prior, this new approach to vertical mergers gained judicial traction: the Fifth Circuit sided with regulators in blocking a vertical merger between biotechnology firm Illumina and its spinoff, Grail, citing concerns over incentives to foreclose critical inputs from rivals.

Regulators’ new reluctance to accept vertical mergers is consistent with the broader, neo-Brandeisian movement to bolster antitrust enforcement overall. Proponents of this view believe that consolidation of power is suspect, favoring instead an anti-monopoly agenda that they purport is more democratic and socially beneficial.

The neo-Brandeisian frameworks are still in place today. In February, FTC Chairman Andrew Ferguson announced that the agency would continue to follow the 2023 Merger Guidelines because they are “by and large… a restatement of prior iterations of the guidelines, and a reflection of what can be found in case law. That is good reason to retain them.” Contrary to Ferguson’s memorandum, the 2023 guidelines sidestepped modern precedent in favor of older standards and cases that, while never overruled, reflect a more agency-friendly, anti-bigness mentality.

The nexus between tariffs and vertical mergers underscores the stakes of potential enforcement, a threat that is very capable of undermining businesses when they are already scrambling to find solutions.

The Supreme Court might moot this question. If the justices hold that President Trump lacks the authority under the International Emergency Economic Powers Act to issue the tariffs, then businesses will not rush to vertically integrate. But in a tariff-laden economy, other companies may be forced to follow Home Depot and Walmart’s lead. Despite regulators’ readiness to interfere, vertical mergers serve as an important tool to bring production back to the United States—perhaps the only tool left.

Read the whole story
gangsterofboats
4 minutes ago
reply
Share this story
Delete

Why Left Is Melting Down Over Trump’s ‘Rush Hour’ Revival

1 Share

Breaking News: A profitable movie franchise is coming back for another installment.

That’s not a Dog Bites Man story. It’s a Dog Sees a Fire Hydrant and Gives It a Sniff story.

Hollywood can’t stop bringing back old franchises, no matter how long they’ve been in cold storage. To wit:

  • A “Thing” sequel is in the works. The original came out in 1982
  • “Practical Magic” 2 is coming in 2026, 28 years after the first film reached theaters
  • “Scary Movie 6” is in production, picking up where the fifth film left off in 2013

See a trend?

Now, “Rush Hour 4” is happening. And the press is raging against the project for its political implications. For once, reporters have a right to be concerned … but not for the reasons they claim.

“Rush Hour 3” hit theaters in 2007, but director Brett Ratner’s MeToo problem corrupted any chance for a fourth film. Several women have accused Ratner of inappropriate behavior, including one who claimed he forced himself on her sexually.

The MeToo movement snagged another scalp, and his Hollywood career came to a screeching halt.

Until now.

YouTube Video

What changed? President Donald Trump suggested Paramount get back in the “Rush Hour” business. Ratner is apparently friendly with the Trumps. He’s the director of the upcoming Melania Trump documentary, due for an early 2026 release.

And, in some very important context, Ratner hasn’t been accused of sexual assault in a court of law, let alone been found guilty.

It’s complicated, no doubt. Ugly. Disconcerting. And Hollywood is rife with such complications, from Kevin Spacey’s semi-banishment to Woody Allen getting quietly canceled for child abuse allegations.

Yet the reaction to the “Rush Hour” announcement went into overdrive in recent days. Here’s Puck journalist and veteran Hollywood scribe Matthew Belloni capturing that sentiment.

The far-Left GQ raged against the move. Here’s the headline

Looks Like Trump Will Get the New Rush Hour Movie He Asked For, Because That’s Just How Things Are Now

The story itself has a less “hair-on-fire” tone, but not by much. Fellow far-Left “men’s” magazine Esquire squealed over the deal as well. Again, the “hair-on-fire” headline:

This Is Not How I Wanted to Get Rush Hour 4

The Esquire piece brings Paramount owner David Ellison, who has modest ties to Trump, into the picture.

The relationship between David Ellison, the new owner of Paramount, and President Trump was already cause for concern for many [emphasis added]. Making matters worse, Trump apparently “personally pressed” Ellison, the son of one of Trump’s biggest donors, to move forward with Rush Hour 4. Oh, there’s more: Ratner is finishing up directing his first film since the allegations against him … which is an Amazon documentary about First Lady Melania Trump. Damn, I hope the Trumps ain’t gonna be in Rush Hour 4!

It’s just one movie, and it could flop at the box office.

Why so serious?

It’s simple. The Left and the Media, but we repeat ourselves, see this as another incursion on their pop culture turf. It’s already happened a few times before.

Now this. And by “this,” we mean a major movie studio that doesn’t hate half the country, led by an owner sympathetic to both President Trump and, seemingly, right-leaning consumers.

Nick LoPiccolo with Paradigm Talent Agency said the quiet part out loud in his X post.

The Rush Hour 4 story is not about nostalgia. It is the clearest look yet at how Trump is trying to shape American culture through the Ellisons. Puck confirmed the core fact. Paramount is releasing Rush Hour 4 because Donald Trump personally pushed the Ellisons to do it. Not to develop it. Not to finance it. To distribute it as a favor while the Ellisons chase the biggest acquisition of their lives.

Semafor took it further. Trump wants the late 80s and 90s cultural energy that built his persona. Bloodsport. Broad comedies. Male driven action. He has been trying to revive that era through Oval Office pressure. The Ellisons are his only studio allies. Larry is one of Trump’s most important political partners. David is running Paramount while bidding for Warner Bros Discovery. That is the exact environment where Trump pressed them to revive Rush Hour.

He has a point. President Trump “gets” pop culture better than many conservatives. His “Apprentice” TV show found him hob-nobbing with Hollywood types, and he’s been a fixture on TV shows and films for years.

YouTube Video

Isn’t a political powerhouse aligned with a studio owner a scary precedent? Maybe. But it’s what the Left has done for decades.

For all the talk of Ellison’s ties to President Trump, what about Steven Spielberg producing President Joe Biden’s re-election convention last year?

Or Netflix co-founder Reed Hastings injecting himself into the 2024 campaign, demanding the dementia-addled Biden step aside?

What about Netflix throwing millions at the Obamas to produce content for the streaming giant? Or Hillary Clinton producing a Broadway play as well as documentary features?

Studio kingpins like David Geffen and Jeffrey Katzenberg have been Democratic power players for years.

That doesn’t include how Hollywood in toto has used its cultural clout to push for open borders, savage GOP figures, promote Climate Change alarmism and so much more. The Hollywood/DNC nexus is real, sustained and shows no signs of slowing down.

President Trump is just fighting pop culture fire with fire, thus the “hair-on-fire” coverage.

Editor’s Note: It’s a brutal time to be an independent journalist, but it’s never been more necessary given the sorry state of the corporate press. If you’re enjoying Hollywood in Toto, I hope you’ll consider leaving a coin (or two) in our Tip Jar.

The post Why Left Is Melting Down Over Trump’s ‘Rush Hour’ Revival appeared first on Hollywood in Toto.

Read the whole story
gangsterofboats
2 hours ago
reply
Share this story
Delete

The Path to Pedantry

1 Share
A short while ago, I read a review of a history of pedantry. A pedant, I take it, is a man who delights more in error than in truth. He does not want to learn, he wants to correct. I have several books in my library, some of them quite long, in which a pedantic […]

Read the whole story
gangsterofboats
2 hours ago
reply
Share this story
Delete

Get Your Kid a Watch

1 Share

Because of time’s arrow, my daughter, who was once a toddler, is now a preteen. A new question thus arises: When should I let her get a smartphone? This problem isn’t new to me. I have two older kids, now in their 20s. Back in the day, I bought each of them an iPod Touch—essentially, a smartphone without the phone—when they were about her age, and then the full device at around the start of high school. But online life was different then. There was less pressure to be smartphone-connected all the time. Social media wasn’t yet as ubiquitous, or worrisome, as it is today. Now the stakes seem higher.

Today smartphones are as widespread as the concerns about their effects on young people’s brains. Psychologists have written best-selling books about how bad phones are for kids, and many schools have banned their use. Despite all this, no one can dispute the fact that phones and phone apps have entered every aspect of contemporary life. Even Jonathan Haidt, who aims to end the phone-based childhood, floats policies that would allow for a phone-based adolescence. The question is not whether your kid will ever get a smartphone, but rather how to manage its adoption in a way that will preserve the integrity of child, parent, school, and home life. And to that end, I believe I’ve found a good solution: Get your kid a watch.

That idea had not occurred to me until my daughter brought it up. She’d been FaceTiming with a friend who had just received an Apple Watch. Now my daughter wanted one, and it didn’t take long for me to acquiesce. After all, as a small device with fewer features, a smartwatch would have to do less damage than a standard smartphone. Maybe it would also do substantial good. The smartwatch might allow her to connect with friends and family, while keeping her away from social media.

[Read: You’re getting ‘screen time’ wrong]

I ordered her an Apple Watch that very day. In theory I’d been open to another sort of product—a smartwatch that is specifically designed for kids—but the competition barely registered. The market for children’s smartwatches has been flooded for years with garbage. Many products of this type are toys, and crappy ones at that: hunks of cheap plastic with poor displays and valueless software; Dick Tracy novelties for a generation that has never heard of the guy. The next tier up includes more functional devices with network connections, such as the Gizmo Watch. But that product, like many others in the category, caters to adult control. Technically, the Gizmo can be used to exchange text messages and calls, but only with a contact list that is managed by a parent. The device’s main function for a kid is passive: It allows her to be called or texted by her parents, and tracked by them via GPS. This is a house-arrest bracelet, not a smartwatch.

At the risk of devolving into “when I was a kid”–ism, when I was a kid, we learned how to use technologies through actual use. There were few phones or televisions or stereos for kids—instead, just phones, televisions, and stereos. The ownership, location, and operation of these devices was subject to the oversight of parents, who also gave their children direct and deliberate instruction on the devices’ proper use. I was taught how to dial a phone, but also what to say or not say on one, for example. And parents spent considerable thought on questions such as whether telephones should be in children’s rooms. Then, as now, their minds were on potential harms. What’s new today is the sense that nothing can be done to mitigate these harms aside from wholesale prohibition.

If I was going to do this, I wanted to get my daughter a fully operational smartwatch, and not some kiddie version that wouldn’t really help her learn how to navigate the computerized world. To some extent, I wanted her to confront the capabilities, confusions, and risks of online life, so she could learn how to manage them herself. I have owned and used smartwatches for some time, and I surmised that their many limitations compared with smartphones—and the uselessness of most of their apps—would make one a perfect candidate for this process.

We’re Apple users in my house, so the Apple Watch made sense, but similar options are available for Android, including Samsung’s Galaxy watches. The Apple Watch SE was the cheapest option, and as with any Apple Watch, you can set it up for a family member who does not own an iPhone. For that to work, you need to buy the more expensive cellular model, which permits your kid to call, text, and email from almost anywhere. It also lets you track their location. The latter function has a quirk: My kid also has an iPad, and Apple seems to treat that device, which stays home all the time, as her default location. At first I found this defect annoying, but soon I came to appreciate it. I almost never really need to know where she is, and the habitual pursuit of her geospatial data would feel like an invasion of the autonomy that the watch was meant, in part, to increase.

I’ve written in the past about the pleasures of installing a landline—a home phone that could be used by the family as a whole, rather than its individual members. For my daughter, the landline was a source of confidence that she could contact her mother or me, or a neighbor—or, God forbid, an emergency service—if she needed to. Our home phone played a similar role for me as well.

[Read: America gave up on the best home technology there is]

The smartwatch offers something more. Most communication is not done in emergencies, but in ordinary life: I’m running late or Meet me at the other door or Dinner’s ready. The ability to exchange mundane information from afar—even from across the street at a friend’s house—is part of being a whole person in the world today. Ashley James, the mother of my daughter’s friend, told me that she’s been delighted by her daughter’s usage of the smartwatch: When her daughter sees an Apple News story that she thinks might interest James, for example, she sometimes sends it in a text. James also said that her kid now texts extended-family members, developing connections that might not have materialized otherwise. Just having the device, James told me, makes her daughter feel included in the world of technology “that kids want to be a part of so badly.”

In a way, it is strange to talk about a 10-year-old this way. When I was 10, a newspaper would have been sitting on the breakfast table, and I could have shown an article to my mother at any time. But then life became digitized, and now you need a device of some kind just to see the news. Like it or not, becoming a person in the 2020s means becoming a user of computers. It also means figuring out how to express yourself online.

I’d experienced my own revelation about my daughter once she started using the Apple Watch. Back when she had just her iPad, I’d concluded that she was terrible at texting. We have a family group chat, and she would either respond to messages with a single word, or not respond at all. But after she got her watch and learned to tap out texts across its tiny screen, her messages exploded into wry quips and fully formed ideas. She turned out to be a killer texter. I quickly surmised the prior problem: She mostly uses her iPad to watch streaming shows. All those texts were interrupting her! Imagine if your text messages kept popping up on your television. She was already old enough to express herself online in sophisticated ways, but until she got the smartwatch, she didn’t have the tools to do so.

I have since concluded that the smartwatch is an unalloyed good. James seems to agree. With these devices on our daughters’ wrists, our children feel a part of the world of portable, personal technology, even as the devices offer them just modest access to that world. They’re connected, but also free of the social-media posting and scrolling that is the real cause of anxiety about kids and phones.

I find it startling that Apple and other tech companies haven’t leaned even further into this obvious opportunity, to bill the watch as a sort of training tool for life online. (I did see an advertisement in one of my daughter’s magazines for a children’s-smartwatch brand called Cosmo—described, a little weirdly, as “the perfect first phone.”) What a shame that so much effort is devoted to providing parents with all manner of controls for their kids, but scarce support. The well-timed and thoughtful introduction of a smartwatch could help mitigate concerns about children’s smartphone use while also providing them with a scaffolding on which to learn basic digital-life skills.

For the moment, though, the smartwatch is too often lumped together with the smartphone, as if they were different causes of the same disease. On this logic, many schools ban both. But such prohibitionism is reliant on magical thinking: It assumes that kids of some arbitrary age can be suddenly trusted to use smartphones, so long as they’ve spent their prior years in full digital quarantine. That’s not how things work. Kids must be introduced into connected life, one step at a time.  

Read the whole story
gangsterofboats
2 hours ago
reply
Share this story
Delete

National Guard Assassin Not Only Tied to CIA, but USAID as Well

1 Share


Read the whole story
gangsterofboats
2 hours ago
reply
Share this story
Delete
Next Page of Stories