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Against "Stochastic Terrorism"

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“Stochastic terrorism” is the idea that if you spread fear and mistrust against a target, then eventually people will commit violence against that target, and it will be your fault, even if you never specifically said the words “you should commit violence”.

Some other popular examples of the concept:

The “stochastic terrorism” concept is near-unique in how effectively it can be discredited merely by listing many examples of its use together in the same place. Almost no one supports a blanket prohibition on criticizing of all of these different groups of people. “Stochastic terrorism” mostly gets deployed opportunistically, by people who either are too blinkered to realize that the same argument could be leveraged against their own speech, or who hope you’re too blinkered to realize that.

(in fact, one could argue that accusing someone of stochastic terrorism is itself stochastic terrorism! Here in America, we consider it justified to kill terrorists before they can threaten us further. Reclassifying criticism as terrorism implies it is potentially legitimate to apply the same norm to any especially harsh critics!)

Still, a sliver of concept-users make some fig-leaf argument that the cases they approve of are different than the cases they disapprove of. Some proposed principles:

You’re allowed to criticize these groups, but not to criticize them harshly. Again, I challenge anyone to fully own up to the implications of this. You’re not allowed to criticize Donald Trump or police brutality harshly? You’re not allowed to criticize abortion doctors or Muslim immigration harshly? Even if you bite all of these bullets, I still think you disagree with the general case. Tomorrow, some lunatic could shoot up a KKK meeting, and then you wouldn’t be allowed to criticize the KKK harshly.

You’re allowed to criticize these groups harshly, but not using special emotional or dehumanizing words. Maybe there are some things you shouldn’t say even about the KKK - “they are Satanic cockroaches unworthy of life” might cross that line. But this is a motte-and-bailey: most claimed examples of ‘stochastic terrorism’ don’t come close to that bar. Nor does this match what really leads to violence: Luigi Mangione didn’t kill an insurance executive because he heard the word “cockroach” too many times. He killed an insurance executive because he had strong opinions about what insurance executives do wrong, and these opinions didn’t hinge on slight changes in the emotional resonance of the words being used.

You’re allowed to criticize policies, but not individuals. Okay, so somebody says that allowing immigration from the Middle East is destroying America, but avoids saying the specific words “and I hate individual Muslims”. Then someone else listens to their message and shoots up a mosque. Or somebody says abortion is murder, but avoids criticizing individual abortion doctors, but someone else listens to them and kills an abortion doctor. How has this made things any better? It totally misses the point of what the phrase “stochastic terrorism” is intended to describe and why it’s bad. Also, I want to criticize individuals! I don’t like Donald Trump, and I understand some conservatives didn’t like Joe Biden. How can we express those dislikes if we’re not allowed to criticize individuals?

You’re allowed to criticize people harshly, but certain categories of complaint - that they’re trying to end democracy, or they’re literally Hitler, or that they’re destroying the world - ought to be out of bounds. Some people propose this as a special protection for Donald Trump or Sam Altman - it’s okay to say people are bad, but saying that Trump is becoming a dictator, or Altman risks destroying the world, are such strong statements that they naturally suggest violence as a response.

This ignores the actual pattern of violence. Trump and Altman are both still alive, but plenty of police officers, Muslims, and abortion doctors are dead - not to mention Charlie Kirk. None of these people were accused of seeking tyranny or destroying humanity, just of normal crimes like brutality or extremism or having a dumb bad podcast. It seems strange to rule out forms of criticism which have not resulted in death, while granting a pass to the forms that result in death regularly, on the grounds that perhaps the former could result in death.

But also, many past politicians have tried to end democracy; one was even literally Hitler. Part of how Pol Pot, Stalin, Mao, and the like took power was that not enough people saw the danger early and spoke out about it. If we ban saying that a politician might be really bad, or destroy democracy, or commit genocide, or even be literally Hitler, simply because it might inspire assassins, then we abandon our early warning system against future tyranny. It seems unwise to institute a rule against ever considering something which could definitely happen, and which in fact happens all the time.

As for the end of the world, it hasn’t happened yet, but it seems like the sort of thing that might happen in the future. Again, it seems unwise to demand that nobody ever point out that there might be potential consequences to handing General Jack D. Ripper full control of the nuclear arsenal.

You should be allowed to criticize powerful people, like Donald Trump or Sam Altman, but not weak people, like Muslims. This makes approximately the opposite recommendation as the last category, but I think is equally pernicious. Some large groups of people are up to no good. You can decide for yourself which ones they are - Trump voters, communists, Boomers, immigrants, racists, police officers, abortion doctors, health insurance executives. Some of these groups might have higher-than-average median income, and others might have lower. Some might be parts of politically-favored blocs, and others politically-disfavored ones. But they all die if you shoot them. It’s vacuous to tell Brian Thompson’s family that they can’t complain about his murder just because health insurance CEOs are a privileged group - especially given that health insurance CEOs now have a higher death-from-political-violence-per-capita rate than Muslims or transgender people.

The liberal solution is none of these: it’s that it’s always legitimate to criticize any person or group however strongly, and never legitimate to use extra-state violence against them; if a violent act occurs, it’s 100% the fault of the perpetrator, and 0% the fault of other people who previously criticized the victim.

(separate from this, I think it’s a useful discussion norm to avoid being too vitriolic or hyperbolic in your language, except perhaps once in a blue moon to make the point that you care about this issue so much that it’s your one exception to your non-vitriol policy. But if someone fails to follow this discussion norm, their penalty is being self-sorted to spaces that have bad discussion norms, not being held responsible for any resulting acts of violence.)

This liberal solution isn’t trivial. It requires the separate liberal norm of always being against extra-state violence - a norm which is currently less than entirely secure. 39% of young people have a favorable opinion of Luigi Mangione, and during the George Floyd protests several mainstream newspapers flirted with condoning violence in the name of racial justice. If your worldview says that it’s acceptable to lynch sufficiently bad people, then yes, accusing people of being bad is equivalent to calling for their murder, and you have no alternative but to make sure nobody is allowed to criticize anyone you like. This puts you in the position that Winston Churchill called “riding a tiger from which you dare not dismount”; you had better invest all your energy into making extremely sure that you and your friends are the ones calling the shots about who can and can’t be criticized. It sounds exhausting, which is why the liberal solution - bilateral controlled tiger-dismounting - is the choice of most functional societies.

I admit there are many intricacies and edge cases, for example:

  • Most societies distinguish between simple criticism and true incitement to violence (for example, “so-and-so is a bad person and I suggest you murder him, I hear he will be at 123 Target Street tomorrow, and that Glocks are a pretty good type of gun”). The boundary here is fuzzy, but I think US courts do a good job of navigating it.

  • Some European countries distinguish between permitted normal speech and hate speech (for example, “all Examplestanis are ugly stupid vermin”), on the grounds that the latter actually does encourage violence if left alone for too long. As a red-blooded American, I don’t agree with this distinction, but having it be a specific legally-demarcated category at least seems stable and predictable, and so less bad than the “stochastic terrorism” ploy.

  • I admitted that there should be a discussion norm against some especially vitriolic criticism; a line beyond which I would think less of a person, even if I didn’t want their speech banned. But most stochastic-terrorism-sayers don’t propose to ban the speech involved, just to create a social norm against it. And “think less of X” and “create a social norm against X” are effectively interchangeable, since social norms are more-or-less defined as things that people think less of you for violating. So am I conceding the whole argument there?

  • Probably there are some cases where extra-state violence is acceptable, for example assassinating Hitler or overthrowing an illegitimate government. I don’t want to rule this out by fiat, and I think it’s wise not to discuss the conditions permitting them too specifically; the best I can do is say that at least this limits the damage by only legitimizing attacks against powerful state targets, which can usually take care of themselves.

I think that accepting these edge cases and solving them with normal law and philosophy is a better bet than maintaining the “stochastic terrorism” concept and trying to hold onto some sort of topsy-turvy opinion on what kinds of criticism are vs. aren’t allowed.



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The Anatomy of Deflation

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Deflation is usually thought to be a synonym for falling prices. There could be no more serious error in all of economics.
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Heritage vs. Creed: What Actually Makes You an American?

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Heritage vs. Creed: What Actually Makes You an American?

The post Heritage vs. Creed: What Actually Makes You an American? appeared first on New Ideal - Reason | Individualism | Capitalism.

 







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The Precedent Is the Point

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There is a temptation as old as politics itself: the desire to use power not merely against aggression, fraud, or violence, but against whatever society currently finds distasteful, immoral, offensive, or unsettling.

The justification is always presented as noble.

"We're only trying to protect people."

"No one needs this anyway."

"This is an exception."

Yet history suggests that the object being prohibited is often secondary. The real objective is the precedent.

Because once a society accepts that rights may be suspended whenever enough people dislike something, liberty itself no longer rests on principle but on popularity.

And popularity is a notoriously unstable foundation.

Rights Exist Precisely for Unpopular Things

No one needs constitutional protections for actions everyone already approves of.

No one demands freedom of speech for opinions universally celebrated.

Rights become meaningful only when they protect actions, ideas, lifestyles, or associations that others find disagreeable.

If freedom exists only for what is fashionable, then freedom does not exist at all.

The principle of rights is simple: peaceful conduct does not become aggression merely because many people dislike it.

A society that forgets this quickly begins confusing moral disapproval with criminality.

The Slippery Slope Is Not a Fallacy

We are often told that concerns about precedent are exaggerated.

"We're only banning this one thing."

But political power has a peculiar characteristic: once acquired, it rarely remains confined to its original purpose.

Every successful expansion of authority becomes evidence for the next one.

If offense justifies censorship today, then greater offense will justify broader censorship tomorrow.

If moral disgust justifies prohibition today, then lesser forms of disapproval will eventually become sufficient as well.

The principle quietly shifts from:

"Rights may only be restricted when rights are violated."

to:

"Rights may be restricted whenever enough people believe they should be."

At that point, rights cease to be rights and become temporary permissions.

Tyrants Never Begin With Popular Targets

The first target is almost always something many people already dislike.

Something vulgar.

Something offensive.

Something easy to condemn.

The public is reassured:

"Surely you're not defending this?"

But this entirely misses the point.

One does not defend liberty because every exercise of it is admirable.

One defends liberty because the alternative is to empower authorities to decide which peaceful conduct deserves protection and which does not.

History demonstrates that governments rarely stop after discovering such powers.

The category of prohibited things has a tendency to grow.

Rapidly.

Protection Is Often the Excuse

This does not mean that everyone advocating restrictions has malicious intentions.

Many sincerely believe they are protecting society.

But intentions matter less than incentives and precedents.

The precedent being established is that rights are conditional.

That liberty exists only until public sentiment changes.

That peaceful individuals may be coerced simply because others dislike their choices.

This principle is extraordinarily dangerous because it can be applied universally.

Every faction imagines it will wield this power only against its enemies.

Almost none imagine that one day their own values may become unpopular.

Liberty Requires Discipline

A free society demands something difficult from its citizens:

The willingness to defend the rights of people they disagree with.

The willingness to tolerate peaceful conduct they find foolish, offensive, or morally questionable.

Because once rights become contingent upon approval, everyone eventually discovers that they are unpopular to someone.

The question is therefore not:

"Do I like this?"

Nor:

"Is this morally admirable?"

The question is:

"Has anyone's rights been violated?"

If the answer is no, then coercion becomes infinitely more dangerous than the conduct being condemned.

Because the thing being prohibited today is temporary.

The precedent established by prohibiting it may endure for generations.

And that precedent, more often than not, was the point all along.



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Christopher Nolan’s ‘Odyssey’ Is a Stunning, Frustrating Triumph

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Christopher Nolan doesn’t believe in half measures.

The industry’s most bankable director swings for any fence he can find. That means for every creative misstep in his films, there’s a sequence that will blind you with greatness.

It’s the best way to describe “The Odyssey,” Nolan’s retelling of Homer’s epic poem. It’s masterful and maddening, a triumph that occasionally can’t get out of its own way.

It’s a must-see experience, in a theater, of course. And, with a few tweaks, it might have lived up to every molecule of the pre-release hype.

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Matt Damon stars as Odysseus, the Greek leader aching to return to his family and homeland. He spearheaded the military attack on Troy, a battle won courtesy of an overstuffed Trojan Horse.

He’s had enough war and death, but the journey home may be his most perilous assignment.

His loyal wife (Anne Hathaway) is considering any number of suitors to replace Odysseus in his absence, but she clings to hope that he’ll come back unharmed. Young Telemachus (Tom Holland, miscast) also pines for a father he barely knew.

Other souls hope he’ll stay gone forever, including Antinous (Robert Pattinson), a soldier with murky allegiances.

The massive cast includes Lupita Nyong’o as Helen of Troy, but her modest screen time belies the pre-release frenzy surrounding her casting. Elliot Page, another casting news kerfuffle, falls into a similar bucket, but the screenplay plays up the character’s bravery in ways that confirm some critics’ fears.

It’s a distraction. The miscue is also a microscopic part of a three-hour production. It should be processed as such.

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Nolan’s films often demand multiple viewings to unlock their narrative tangles. “The Odyssey” may deserve that treatment for spectacle alone, but even with his penchant for nonlinear plots, this tale is deceptively simple.

So, too, are the set pieces, which feel as raw and magnificent as anything we’ve seen over the past few years. A fascinating encounter with a hungry cyclops rushes to mind.

Stunning. Jaw-dropping. Add your favorite superlative here, and it’ll fit like a glove.

Could anyone, be it Spielberg, Tarantino or Scott, render what we see with such spectacle? It’s not online activism to shout, “not a chance.”

Yet flaws abound, and they magnify during a chaotic third act. A film like “The Odyssey” shouldn’t ape a “John Wick” installment in its visceral overkill, yet one battle does just that.

And a strategy laid out by a key character feels as uninspired as it is absurd. That third-act wrinkle upends the film’s otherwise solid pacing.

So do the presence of supporting players (Zendaya, Charlize Theron), who should impact the story but don’t. John Leguizamo is somewhat better as a blind man with strong ties to Odysseus. He, too, suffers from a previous plot device that can’t be shared here.

And, yes, it all matters. The greatest directors of our age could use a neutral soul to advise them against such obvious miscues.

Nolan is working on a different level than every other filmmaker today. His grasp of technology, his eagerness to wow with every shot, is unrivaled. Some of his recent projects have reflected his cool, almost detached approach to character, but Damon’s performance flicks away such concerns.

The actor has never been so invested in a character’s humanity. The film’s anti-war bona fides will grab plenty of attention, but it’s only a small part of his performance.

This is the film that may make us stop taking Damon for granted.

Nolan’s mastery has never been in doubt. So why are the film’s first few moments burdened by sound issues that make deciphering the dialogue a chore? Why tease out the film’s modern anachronisms with a rap-like bard (Travis Scott) and use current profanity to break the movie’s spell?

Geniuses like Tarantino, Cameron and Nolan need someone to rein in their self-destructive impulses. Yet we rarely see that partnership bloom.

At least, the evidence on screen suggests as much.

No matter. A flawed, frustrating epic from Nolan is better than two dozen generic features. Long may he noodle with perfection, even if he never quite gets there.

HiT or Miss: “The Odyssey” finds Christopher Nolan lunging for greatness, and succeeding more often than many of his peers.

The post Christopher Nolan’s ‘Odyssey’ Is a Stunning, Frustrating Triumph appeared first on Hollywood in Toto.

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Bluesky Gave Up on Competing with X

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